![]() But the good news is that if that Wayne is really dead, he has the opportunity to reinvent himself once more. He has a song, “He’s Dead,” a burial for the artist that was on Cash Money. ![]() Wayne is at the crossroads, he needs to evolve or die, and the Grim Reaper is sharpening his scythe. ![]() Wayne will very likely never again be who he once was. If you've ever watched The Office or Community in its entirety, you know the feeling. Always hoping that a new season will revert back to its former glory. I know how good it can be and anything less just leaves you craving the better days. It’s only 15 tracks and I was left feeling like there was more good than bad, you can hear him attempting to regain his footing, but it’s like watching the mediocre episode of a formerly great TV series. There’s not much different from this album and what he’s been putting, the songs are almost interchangeable at this point. Wayne albums tend to feel more random than arranged to paint a bigger picture and FWA is crafted in a similar way. “Thinking Bout You” is another attempt at making a song for a young love interest, but I'd rather hear him sing about flanges with prostitutes. The previously released but oh-so magnetic album opener 'Glory' has Wayne zealously spitting rhymes, some of which uproariously funny, and others, deeply personal, with a choral hook. You can hear the hunger in songs like “Pull Up” and “Murda” but then he has records like “Psycho,” a song confessing a series of disturbing thoughts that should be sealed away in a burning diary.
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